At first, I was afraid that the dry sound of the movie and the early set up of the almost identical Breaking Bad RV meth lab would make the movie draggy and predictable. I could not have been more wrong. The payoff was unlike anything I have seen in the past almost ten years: since The Secret Window in 2004. I started talking aloud to myself in the theater, trying to solve the mystery as it went. Needless to say, that is my definition of a great movie.

The only thing that left me wanting was the detail put into Jake Gyllenhaal’s cop character, Detective Loki. I spent an embarrassingly amount of time trying to analyze the significance of his name and was thrown off even further when obvious shots of his Greek alphabet tattoos and Mason ring were included on multiple occasions. Lots of questions and no answers. Although fantastic character traits, I would have actually liked to have them explained. But like the film itself, there is much to be wanting with the insane and it addictively made my brain scream for more. Ladies and gentlemen, five out five for Denis Villeneuve. Take it and rule the pre-Oscar 2013 season. By the way, do you know how many inches is a movie theater screen? If you want more insight about this, read this article for more.

Defined by an all-star cast including Octavia Spencer, Michael B. Jordan has once again proven himself to be a powerful force on the screen and an equally inspiring voice of his generation. Sadly, the only relationship I was able to truly buy into was between Oscar and his daughter, played by the charming Ariana Neal. I desperately yearned for a genuineness that never came between Spencer and her on-screen son. Rather I felt a forced-smile disconnect between the two that so often is the result of these pithy independent films.

Nevertheless, as a first time feature film director, Ryan Coogler masters a fresh ingenuity that mimics the current generation and culture that surrounds us. By using extra digital effects, the audience is able to see Oscar’s phone screen as he dials numbers and sends text messages, allowing an inside look on his thoughts and actions before they are portrayed on the screen. A movie of pure cause and effect, I give it three out of five stars. It was a well-done homage to a beautiful soul and a distressingly brilliant reminder of current social standings.

By having an eccentric director like Baz Luhrmann, the producers opened a portal of aesthetic extremism. This is usually quite successful when Luhrmann is working from an original screenplay like Moulin Rouge! (2001) or Australia (2008), but choosing a piece that is so defined by its era of style has proven to be an impossible flunk for the modern generation. If nothing else, this movie completely captured the art of excess. From costumes to production design to the ridiculously comical use of green screen animation, it seemed as though Luhrmann ran out of creativity, resulting in cheapness of storytelling as a discourse. By splashing famous quotes in cute fonts across the screen, there is no mistaking that this has been done for those who can’t quite follow along. But hey, it sounds pretty and it looks nice.

Normally, Baz Lurhmann does a superb job telling a story, but it unfortunately becomes lost underneath the displaced rap music, overly choreographed fireworks (Gatsby’s entrance made the entire audience I was with laugh out loud), and horrible casting (save Carrie Mulligan as darling Daisy and Joel Edgerton as chauvinistic Tom).

Despite its flamboyant mistakes, Luhrmann manages to pay meticulous attention to the detail the novel provides. He even makes sure that poor Myrtle Wilson’s gash above her left breast is seen before her body goes flying through the air. Perhaps the film could have been salvaged had there not been a direct focus on appealing to a youthful, more ignorant generation. Not a single argument has been able to trump mine simply because no one has been able to answer “yes” when I asked them if they read the book. This earned an unsurprising one star as I simply could not answer “What were they thinking?!”

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