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	<title>Hot Tin Roof Review &#187; Romance</title>
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	<description>&#34;Why are you trying so hard to fit in when you were born to stand out?&#34; ~ &#34;What a Girl Wants&#34;</description>
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		<title>Ain’t Them Bodies Saints</title>
		<link>http://catonahottinroofreview.com/?p=48</link>
		<comments>http://catonahottinroofreview.com/?p=48#comments</comments>
		<pubDate>Sun, 15 Sep 2013 14:52:43 +0000</pubDate>
		<dc:creator><![CDATA[authorunknown]]></dc:creator>
				<category><![CDATA[Film]]></category>
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		<description><![CDATA[A poem of the heart and landscape of the Texas Hill Country, Ain’t Them Bodies Saints is every bit as beautiful as its title implies. Playing off the natural sounds of the winds through the prairies, the film takes a simplistic look at outlaw Bob Muldoon (played brilliantly by Casey Affleck) and his sacrificial love [&#8230;]]]></description>
				<content:encoded><![CDATA[<p>A poem of the heart and landscape of the Texas Hill Country, <span style="font-family: Times New Roman,serif;"><span style="font-size: medium;">Ain’t Them Bodies Saints</span></span> is every bit as beautiful as its title implies. Playing off the natural sounds of the winds through the prairies, the film takes a simplistic look at outlaw Bob Muldoon (played brilliantly by Casey Affleck) and his sacrificial love for his wife Ruth Guthrie (played by Rooney Mara). After a deadly shootout in a robbery gone wrong, Bob spends the next four years of his life in prison, atoning for the one time mistake his pregnant wife made in an attempt to protect her meager homestead.</p>
<p>The sparse dialogue might make some people nervous but when it comes down to it, what they have to say makes them poignantly human and beautifully tragic. Spurned by their need to make a better life, love is something that exists without question and the spotted music of rhythmic clapping frames the timelessness of a 1970’s small town, USA. There is no such thing as a happy ending and director David Lowery places the consequences of romance and reality against each other in a desperate battle of needs and desires. Completely encapsulated by the tragedy of their situation, you can’t help but see yourself at different stages of your own love life and the tribulations that accompany moving on. At four out of five stars, this film will bring you cinematic nostalgia against a back splash of modernity.</p>
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		<title>The Great Gatsby</title>
		<link>http://catonahottinroofreview.com/?p=74</link>
		<comments>http://catonahottinroofreview.com/?p=74#comments</comments>
		<pubDate>Sun, 05 May 2013 16:10:25 +0000</pubDate>
		<dc:creator><![CDATA[authorunknown]]></dc:creator>
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		<guid isPermaLink="false">http://catonahottinroofreview.com/?p=74</guid>
		<description><![CDATA[I honestly and completely tried to watch this movie as an objective party. As an English Major in college it is terrifyingly difficult to repress the bias I have towards F. Scott Fistzgerald’s The Great Gatsby. Don’t misunderstand me, even as a novel, I hated it. My sentiments have usually been that Fitzgerald is a [&#8230;]]]></description>
				<content:encoded><![CDATA[<p><span style="font-family: Times New Roman,serif;"><span style="font-size: medium;">I honestly and completely tried to watch this movie as an objective party. As an English Major in college it is terrifyingly difficult to repress the bias I have towards F. Scott Fistzgerald’s </span></span><span style="font-family: Times New Roman,serif;"><span style="font-size: medium;">The Great Gatsby</span></span><span style="font-family: Times New Roman,serif;"><span style="font-size: medium;">. Don’t misunderstand me, even as a novel, I hated it. My sentiments have usually been that Fitzgerald is a lyrical god and that the infatuation with </span></span><span style="font-family: Times New Roman,serif;"><span style="font-size: medium;">The Great Gatsby</span></span><span style="font-family: Times New Roman,serif;"><span style="font-size: medium;"> is solely related to its rather bumbling performance on the page, making it sadly attractive to those who don’t know any better. There is a standard, unfortunate or not, in both the literary and film worlds. What too few realize is that they are linked in so many ways and films about novels have to be careful about how they want to portray it on the silver screen. </span></span></p>
<p><span style="font-family: Times New Roman,serif;"><span style="font-size: medium;">By having an eccentric director like Baz Luhrmann, the producers opened a portal of aesthetic extremism. This is usually quite successful when Luhrmann is working from an original screenplay like Moulin Rouge! (2001) or Australia (2008), but choosing a piece that is so defined by its era of style has proven to be an impossible flunk for the modern generation. If nothing else, this movie completely captured the art of excess. From costumes to production design to the ridiculously comical use of green screen animation, it seemed as though Luhrmann ran out of creativity, resulting in cheapness of storytelling as a discourse. By splashing famous quotes in cute fonts across the screen, there is no mistaking that this has been done for those who can’t quite follow along. But hey, it sounds pretty and it looks nice. </span></span></p>
<p><span style="font-family: Times New Roman,serif;"><span style="font-size: medium;">Normally, Baz Lurhmann does a superb job telling a story, but it unfortunately becomes lost underneath the displaced rap music, overly choreographed fireworks (Gatsby’s entrance made the entire audience I was with laugh out loud), and horrible casting (save Carrie Mulligan as darling Daisy and Joel Edgerton as chauvinistic Tom).</span></span></p>
<p><span style="font-family: Times New Roman,serif;"><span style="font-size: medium;">Despite its flamboyant mistakes, Luhrmann manages to pay meticulous attention to the detail the novel provides. He even makes sure that poor Myrtle Wilson’s gash above her left breast is seen before her body goes flying through the air. Perhaps the film could have been salvaged had there not been a direct focus on appealing to a youthful, more ignorant generation. Not a single argument has been able to trump mine simply because no one has been able to answer “yes” when I asked them if they read the book. This earned an unsurprising one star as I simply could not answer “What were they thinking?!”</span></span></p>
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